When the demon of paranoia takes hold of Alilou Lmlawet

Once a journalist, now a master of falsehoods, Alilou Lmlawet has been swallowed by a bottomless abyss. Free of all restraint on YouTube, he inflicts upon us a new chapter of his obsessive delirium: “Morocco under the grip of the makhzen.” A perfect echo of the Algerian military regime, he recycles clichés worn to the bone to blacken the country’s image, turning reality into a labyrinthine nightmare.

His amplified paranoia unfolds in grotesque scenes, each video becoming a theater of ridiculous shadows, where the absurd mingles with the darkest mockery. In his latest episode, our self-exiled Lucifer pushes madness to the extreme by accusing a Moroccan Minister of Justice of being a puppet, trapped by a “secret structure” resembling an otherworldly conspiracy.

The darkness is palpable: clandestine meetings in damp basements, endlessly classified dossiers, and Hamid El Mehdaouy, a tragic puppet, martyr of a hidden system. An “honorary” press card, a gift from a phantom Spanish NGO, a chimera no one has ever heard of, not even in their worst nightmares.

But the height of the grotesque arrives when Lmlawet invokes an imaginary conflict between the DGST and the DGED, a fratricidal battle existing only in the recesses of a sick imagination or the delirium of an overly long nap. To complete this delirious tale, he digs up a certain Mehdi Hijaouy, falsely labeling him as the former number two of the DGED, when in truth he is but the shadow of an impostor known for his scams, a pitiful puppet in his theater of lies.

With Alilou, truth is unnecessary: all he needs is a microphone, a camera, and an oversized ego to spread his poison. Like a conjurer of hatred, he turns every personal grievance into a scandalous storm. But behind the curtain of this masquerade, only one reality remains: it is not Morocco that is sinking, it is he who drowns, engulfed by his own mediocrity and inner demons.